Yes, we have to live with the title "Doo Wop" ....until somebody thinks
of something better (I wish they would).
To me, a more appropriate label would be "Subway Soul" music. Yes, sometimes the backgound vocals would say "doo wop","dip di dip", and "doo rondy rondy", with an occasional "ah-ung". But that was only a backdrop for the the soulful lead vocals and lilting falsetto embellishments that captivated just about everyone who had an ear to pop radio in the 50's and 60's. Although the lyrics and melody were simple, that may be exactly what made this music a true art form. This music had the power to evoke strong feelings of joy and sorrow, not by what it said, but by how it sounded. The lead singer really believed and lived the basic phrases he or she was singing, and the sincerity made it believable to the listener as well. The group harmony further validated the lyric as true and universal.
In the early fifties, groups of teenagers would gather on streetcorners, boardwalks, in subways, restrooms, and ultimately recording studios, and blend their voices to emulate the great vocal groups of the era. I recall a group from Paterson, NJ- Joel and the Concords, hanging out at the Rahgoo band practices at my Dad's store at Bergen Mall on Sunday when the mall was closed. After practice they would position themselves in the cavernous promenade below, where the accoustics resembled a subway (that's as close as we could get in the suburbs of New Jersey) and they would sing all the accapella standards; Gloria, Sunday Kind of Love, Guardian Angel, and Stormy Weather. They would let me step in for the lead vocal on Valerie (Jackie and the Starlights), only because noone else was crazy enough to get down on their knees and cry. And the old folks passing on their way to the chapel would look at us, horrified as I cried and pleaded to Valerie to "Please come on home". The Rahgoos tried to do the group harmonies with two backup voices, but nothing could compare to the real black (and a handful of white) singing groups of the golden age of Rock and Roll.
Here's my personal required listening list, not in any particular order (limited to 20, Oh, I can think of so many more!!) :
Title Artist Label
Deserie | The Charts | Enjoy |
The Wind | Noland Strong and the Diablos | Fortune |
Two People in the World | Little Anthony and the Imperials | End |
Florence | The Paragons | Winley |
You Baby You | The Cleftones | Gee |
I'm So Young | The Students | Checker |
Teardrops | Lee Andrews and the Hearts | Chess |
Maybe | The Chantels | End |
My True Story | The Jive Five | Beltone |
Night Owl | Tony Allen and the Champs | Specialty |
I Met Him On a Sunday | The Shirelles | Decca |
Little Darlin' | The Gladiolas | Excello |
Ten Commandments of Love | The Moonglows | Chess |
1000 Miles Away | The Heartbeats | Hull |
Eddie My Love | The Teenqueens | RPM |
The Great Pretender | The Platters | Mercury |
Come Go With Me | The DelVikings | Decca |
This I Swear | The Skyliners | Calico |
Try Me | James Brown and the Famous Flames | Federal |
When You Dance | The Turbans | Herald |
What's your favorite "Doo Wop" record? peter@petersando.com